{"id":10360,"date":"2026-02-10T01:23:13","date_gmt":"2026-02-10T01:23:13","guid":{"rendered":"https:\/\/www.billboard.com\/?post_type=billboard_pro_post&p=1236177024"},"modified":"2026-02-10T01:23:13","modified_gmt":"2026-02-10T01:23:13","slug":"rolling-stones-catalog-owner-on-rock-doc-copyright-win-fair-use-isnt-a-cloak-for-infringing-acts","status":"publish","type":"post","link":"https:\/\/sarmiento24h.com\/?p=10360","title":{"rendered":"Rolling Stones Catalog Owner on Rock Doc Copyright Win: Fair Use Isn\u2019t a \u2018Cloak for Infringing\u00a0Acts\u2019"},"content":{"rendered":"
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Trending on Billboard <\/h3>\n<\/p><\/div>\n

Catalog company AKBCO says its recent court victory over unlicensed music in classic rock documentaries provides key clarity on the limits of \u201cfair use,\u201d a hot-button issue in the AI-focused copyright conversation of 2026.<\/p>\n

On Wednesday (Feb. 4), a New York federal judge held filmmaker Robert Carruthers<\/strong> and his company Coda Publishing liable for infringing 80 songs owned by ABKCO and Universal Music Group (UMG) in documentaries about The Rolling Stones, ABBA, U2, Elton John, Lynyrd Skynyrd, Nirvana and the Red Hot Chili Peppers.<\/p>\n

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Carruthers had argued that the critical commentary included in the documentaries renders them fair use \u2014 a tenet of copyright law that allows unlicensed works to repurposed for \u201ctransformative\u201d creations. But Judge Katherine Polk Failla said simply getting a few critics to juxtapose \u201chot takes\u201d next to reproduced videos does not \u201cin any way transform the songs about which they are speaking.\u201d<\/p>\n

In a statement shared exclusively with Billboard <\/em>on Monday (Feb. 9), ABKCO general counsel William A. Pittenger <\/strong>said, \u201cWe applaud the court\u2019s finding of willful copyright infringement by Coda and the individuals involved in exploiting the unauthorized \u2018documentary\u2019 films. The decision further clarifies the limits of \u2018fair use\u2019 and protects artists, songwriters and copyright holders from those who would attempt to use \u2018fair use\u2019 as a cloak for their infringing acts.\u201d<\/p>\n

Fair use is a big deal in copyright law right now because of artificial intelligence. Across dozens of lawsuits across the country, technology developers have argued that the \u201ctransformative\u201d nature of AI makes it fair use for them to train models on existing work without paying for licenses.<\/p>\n

ABKCO and UMG\u2019s publishing arm, Universal Music Publishing Group (UMPG), are currently fighting this AI fair use theory in copyright litigation against Anthropic<\/a>, the maker of the chatbot Claude. UMG and the other major record labels also teamed up in 2024<\/a> to sue AI music services Suno and Udio over unlicensed training, and that litigation remains pending even as the AI firms have reached settlements<\/a> with some of the major labels.<\/p>\n

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The rock documentary case, meanwhile, dates back to 2020<\/a>. ABKCO owns songs from The Rolling Stones\u2019 catalog, while UMG controls various rights to the music of ABBA, U2, Elton John, Lynyrd Skynyrd, Nirvana and the Red Hot Chili Peppers.<\/p>\n

ABKCO and UMG alleged in the lawsuit that the audio heard in ten of Carruthers\u2019 classic rock documentaries infringed their rights to valuable music, including chart-toppers like \u201c(I Can\u2019t Get No) Satisfaction,\u201d \u201cDancing Queen\u201d and \u201cCrocodile Rock.\u201d<\/p>\n

Judge Failla agreed that this argument was correct for all but one of the songs named in the lawsuit: the Red Hot Chili Peppers\u2019 cover of the Stevie Wonder song \u201cHigher Ground,\u201d which is only heard in a live performance in Carruthers\u2019 documentary and therefore does not affect UMG\u2019s master recording rights.<\/p>\n

Now that the judge has rejected Carruthers\u2019 fair use defense and granted judgment in favor of ABKCO and UMG, further litigation will ensue to determine what kind of financial damages are owed. Judge Failla has ruled that Carruthers\u2019 infringement was willful, which could entitle the music companies to enhanced damages.<\/p>\n

Carruthers, who is no longer represented by a lawyer, did not return a request for comment.<\/p>\n


\"Billboard
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Trending on Billboard Catalog company AKBCO says its recent court victory over unlicensed music in classic rock documentaries provides key clarity on the limits of \u201cfair use,\u201d a hot-button issue in the AI-focused copyright conversation of 2026. On Wednesday (Feb. 4), a New York federal judge held filmmaker Robert Carruthers and his company Coda Publishing […]<\/p>\n","protected":false},"author":1,"featured_media":10361,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"content-type":"","_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[55],"tags":[],"class_list":["post-10360","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-entretenimiento"],"yoast_head":"\nRolling Stones Catalog Owner on Rock Doc Copyright Win: Fair Use Isn\u2019t a \u2018Cloak for Infringing\u00a0Acts\u2019 - Sarmiento24h<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/sarmiento24h.com\/?p=10360\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Rolling Stones Catalog Owner on Rock Doc Copyright Win: Fair Use Isn\u2019t a \u2018Cloak for Infringing\u00a0Acts\u2019 - Sarmiento24h\" \/>\n<meta property=\"og:description\" content=\"Trending on Billboard Catalog company AKBCO says its recent court victory over unlicensed music in classic rock documentaries provides key clarity on the limits of \u201cfair use,\u201d a hot-button issue in the AI-focused copyright conversation of 2026. 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