{"id":10529,"date":"2026-02-10T20:53:13","date_gmt":"2026-02-10T20:53:13","guid":{"rendered":"https:\/\/www.billboard.com\/?p=1236177447"},"modified":"2026-02-10T20:53:13","modified_gmt":"2026-02-10T20:53:13","slug":"how-the-sirat-sound-team-made-oscars-history-by-honoring-moroccan-desert-raves","status":"publish","type":"post","link":"https:\/\/sarmiento24h.com\/?p=10529","title":{"rendered":"How the \u2018SIR\u0100T\u2019 Sound Team Made Oscars History by Honoring Moroccan Desert\u00a0Raves"},"content":{"rendered":"<div class=\"pmc-contextual-player\" data-pmc-adm-ad-id=\"10140328\">\n<h3> Trending on Billboard <\/h3>\n<\/p><\/div>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto lrv-a-font-body-m \"> From <em>Sinners\u2019 <\/em>record-breaking <a href=\"https:\/\/www.billboard.com\/lists\/2026-oscar-nominations-list\/\">nominations haul<\/a> (16) to K-pop finally getting a <a href=\"https:\/\/www.billboard.com\/music\/awards\/oscar-nominations-2026-best-original-song-score-1236173322\/\">seat at the table<\/a>, this year\u2019s Academy Awards are heavy on history. For <em>SIR\u0100T <\/em>composer Kangding Ray and Oscar-nominated sound designer Laia Casanovas, achieving Oscar firsts came second to nailing an authentic portrayal of an incredibly niche corner of the electronic dance <a href=\"https:\/\/www.billboard.com\/t\/music\/\" id=\"auto-tag_music\" data-tag=\"music\">music<\/a> scene.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto lrv-a-font-body-m \"> Helmed by \u00d3liver Laxe and set against the backdrop of a fast-brewing global conflict, <em>SIR\u0100T <\/em>follows a father (Sergi L\u00f3pez) and his young son in search of his missing daughter alongside a group of ravers in the deserts of southern Morocco. After picking up both the jury prize and soundtrack award at Cannes last year, <em>SIR\u0100T <\/em>earned a pair of Oscar nominations for best international feature film and best sound. Not only is <em>SIR\u0100T <\/em>the only international film recognized in best sound this year, Casanovas, alongside Yasmina Praderas and Amanda Villavieja, are the first-ever Oscar-nominated all-female sound team. <\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto lrv-a-font-body-m \"> From the immersive, hypnotic rave scene that opens the film to the harrowing silence of the dormant minefield near its close, the emotional intensity of <em>SIR\u0100T <\/em>hinges on both its score and sound design \u2014 something that was clear to Laxe when he first began contacting collaborators. <\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\"><\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto lrv-a-font-body-m \"> \u201cMy first albums are very glitchy and ambient and melodic, and my later work is more textured and intense and physical,\u201d Ray, who was an architect and rock guitarist before finding a home in Berlin\u2019s avant-garde electronic music scene over the last two decades, tells <em>Billboard<\/em>. \u201cThose two parts are present in <em><em>SIR\u0100T<\/em>,<\/em> with the spiritual approach and connection to Sufi philosophy and mysticism and death, but also the physicality and euphoria of the rave and its chest-rattling bass.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto lrv-a-font-body-m \"> Laxe tapped Ray nearly two years before filming began, which allowed him to begin developing cues based on the script, which the director co-wrote with Santiago Fillol. In addition to drawing from location scouting reference images that \u201cshowed the unforgiving nature of the desert,\u201d Ray also looked to his past collaborations with renowned sound artists like Ryuichi Sakamoto, Carsten Nicolai (aka Alva Noto) and Ryoji Ikeda. In fact, when he was at the Golden Globes celebrating his best original score nod for <em>SIR\u0100T, <\/em>Ray called Nicolai (who was nominated in the same category alongside Sakamoto in 2015 for <em>The Revenant<\/em>) to gush about the \u201cfull-circle moment.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto lrv-a-font-body-m \"> Although his idols toured the awards circuit with a more traditional, orchestral score, Kangding doubled down on his dance music origins for Sir\u0101t. Laxe\u2019s film operates as both a tender father-son story and a larger, more spiritual odyssey, but it\u2019s also one of the most balanced and faithful on-screen depictions of the free party movement. Emerging from the U.K. in the late \u201880s and early \u201890s, the free party movement was essentially \u201ca meeting point for new-age travelers and ravers that incorporated Jamaican sound system culture,\u201d according to Ray. Their full-scale raves would last days, and governmental repression pushed the ravers further south until they hit remote parts of North Africa, illuminating the seemingly endless desert with a more raucous take on techno rhythms that \u201cevolved parallel to the more institutionalized dance music scene.\u201d To ensure the opening scene felt immersive rather than voyeuristic, Ray momentarily stepped back into his DJ bag. <\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto lrv-a-font-body-m \"> \u201cThe rave party is not a set; it\u2019s an actual rave made by a true free party collective who was appointed by the producer to make something happen on the condition that they could be filmed for three days,\u201d Ray explains, also noting that he played in the Moroccan desert in pre-COVID times. \u201cBut once it started, they couldn\u2019t stop it. We made the line between film and reality as blurry as it could possibly be. I even went there and played as DJ, and they knew my music! That was a big win for me to connect with them because I don\u2019t come from the exact same culture.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto lrv-a-font-body-m \"> With Ray curating an authentic ambience for Laxe to capture, Casanovas and the rest of the sound team were tasked with making sure everything still felt and sounded like a narrative film. \u201cThat music is a ritual on a dance floor; it pushes you,\u201d muses Casanovas. \u201cYou feel it in your skin, and the beat matches your heart rate. It\u2019s that kind of experience that we wanted to have in the first minutes of the film, so we recorded the music through a sound system to have the texture of speakers on the dancefloor.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto lrv-a-font-body-m \"> For Casanovas, \u201cmusic\u201d doesn\u2019t simply refer to what\u2019s blaring through the speakers; it\u2019s also the speakers themselves. It\u2019s the sound of the wooden boxes, the grunts and exhales heard while carrying heavy equipment, the rustle of different fabrics against the wind and the soundwaves bouncing off the surrounding cliffs. Treating the music in post-production proved incongruent with how realistic the rave scenes looked onscreen, so Casanovas sourced a supplier in Barcelona who had the same sound system they used during filming. She and the sound team then recorded all the music through that sound system with the mics from production to capture the music the way it would be heard on the dance floor. <\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\"><\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto lrv-a-font-body-m \"> From its Moroccan setting to its title (an Arabic term that roughly translates to \u201cpath\u201d), <em>SIR\u0100T<\/em> is a truly international production. So much so that Casanovas opted to use Icelandic wind recordings for the desert scenes in the back half of the film. \u201c[Those winds] have low frequencies,\u201d she says. \u201cWe had to account for how the wind interacts with the desert and how the characters interact with the landscape. We needed to hear how the clothes move and how the metal rattles. We also recorded different textures of sand and dust to have layers of all the elements, but the most challenging thing was figuring out how to maximize the three-dimensional space of Dolby Atmos.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto lrv-a-font-body-m \"> Ahead of next month\u2019s Academy Awards (March 15), <em>SIR\u0100T <\/em>opened in New York and Los Angeles on Feb. 6, with a nationwide rollout to follow later this month. Though Ray\u2019s score didn\u2019t make the leap from the Oscar shortlist to the final nominee line-up, he\u2019s still in disbelief at \u201cgetting this much recognition for a work that is so avant-garde and uncompromising\u2026 it means a lot to a lot of my peers and the originators of these cultures.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto lrv-a-font-body-m \"> As for Casanovas, she\u2019s proud of the nomination because it gives visibility to all the women working in sound, \u201cbut the three of us have a whole career in Spain!\u201d she says with a chuckle. \u201cI\u2019ve been working with Yasmina for 12 years.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto lrv-a-font-body-m \"> Whether or not <em>SIR\u0100T <\/em>brings home a golden statuette (or two) next month, it remains part of a larger wave of dance music-rooted scores, like <em>Challengers<\/em> (Trent Reznor &amp; Atticus Ross) and <em>Heated Rivalry<\/em> (Peter Peter) that, culturally and critically, stand shoulder-to-shoulder with more traditional film music compositions. <\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto lrv-a-font-body-m \"> \u201cThere is something about the zeitgeist that demands exceptional answers to unsettling questions,\u201d muses Ray. \u201cThat status quo isn\u2019t working, and it\u2019s time of change and turmoil, for better or worse. People need new solutions. And maybe [these kinds of scores] are it.\u201d<\/p>\n<div class=\"post-content-image \/\/ \">\n<figure class=\"o-figure size-full alignnone lrv-u-max-width-100p\">\n<div class=\"c-lazy-image lrv-u-margin-t-125 u-padding-b-10 u-margin-t-26@mobile-max lrv-u-display-inline-block lrv-u-width-100p\"> <a href=\"https:\/\/clicks.trx-hub.com\/xid\/pmc_0aaa4_billboard?q=https%3A%2F%2Fgo.skimresources.com%2F%3Fid%3D87443X1644751%26isjs%3D1%26jv%3D15.7.1%26sref%3Dhttps%253A%252F%252Fwww.billboard.com%252Fmusic%252Fpop%252Fgreatest-pop-stars-podcast-october-taylor-swift-olivia-dean-1236106414%252F%26url%3Dhttps%253A%252F%252Fubpass.co%252Fbillboard%26xs%3D1%26xtz%3D300%26xuuid%3D820deac27419c919839ccc891dd231ab%26xjsf%3Dother_click__contextmenu%2B%255B0%255D&amp;p=https%3A%2F%2Fwww.billboard.com%2Fmusic%2Fpop%2Fgreatest-pop-stars-podcast-october-taylor-swift-olivia-dean-1236106414%2F&amp;ref=https%3A%2F%2Fwww.billboard.com%2Ft%2Fgreatest-pop-stars-podcast%2F&amp;event_type=click&amp;trx-iid=iid1764862798107aea\" class=\"c-lazy-image__link lrv-a-unstyle-link\" rel=\"nofollow\" target=\"_blank\"> <\/p>\n<div class=\"lrv-a-crop-16x9\"> <img fetchpriority=\"high\" decoding=\"async\" class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto\" src=\"https:\/\/www.billboard.com\/wp-content\/uploads\/2026\/01\/image_4517fc.png?w=300\" alt data-lazy-srcset=\"https:\/\/www.billboard.com\/wp-content\/uploads\/2026\/01\/image_4517fc.png 728w, https:\/\/www.billboard.com\/wp-content\/uploads\/2026\/01\/image_4517fc.png?resize=300,37 300w\" data-lazy-sizes=\"(min-width: 87.5rem) 1000px, (min-width: 78.75rem) 681px, (min-width: 48rem) 450px, (max-width: 48rem) 100vw\" height=\"90\" width=\"728\"> <\/div>\n<p> <\/a> <\/div>\n<\/figure><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Trending on Billboard From Sinners\u2019 record-breaking nominations haul (16) to K-pop finally getting a seat at the table, this year\u2019s Academy Awards are heavy on history. For SIR\u0100T composer Kangding Ray and Oscar-nominated sound designer Laia Casanovas, achieving Oscar firsts came second to nailing an authentic portrayal of an incredibly niche corner of the electronic [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":10530,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"content-type":"","_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[55],"tags":[],"class_list":["post-10529","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-entretenimiento"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>How the \u2018SIR\u0100T\u2019 Sound Team Made Oscars History by Honoring Moroccan Desert\u00a0Raves - Sarmiento24h<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/sarmiento24h.com\/?p=10529\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"How the \u2018SIR\u0100T\u2019 Sound Team Made Oscars History by Honoring Moroccan Desert\u00a0Raves - Sarmiento24h\" \/>\n<meta property=\"og:description\" content=\"Trending on Billboard From Sinners\u2019 record-breaking nominations haul (16) to K-pop finally getting a seat at the table, this year\u2019s Academy Awards are heavy on history. 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