{"id":10723,"date":"2026-02-11T19:03:43","date_gmt":"2026-02-11T19:03:43","guid":{"rendered":"https:\/\/www.billboard.com\/?p=1236178150"},"modified":"2026-02-11T19:03:43","modified_gmt":"2026-02-11T19:03:43","slug":"allow-ryan-trey-to-reintroduce-himself-lebron-stamped-rb-singer-songwriter-transitions-into-faith-based-music","status":"publish","type":"post","link":"https:\/\/sarmiento24h.com\/?p=10723","title":{"rendered":"Allow Ryan Trey to Reintroduce Himself: LeBron-Stamped R&B Singer-Songwriter Transitions\u00a0Into\u00a0Faith-Based Music"},"content":{"rendered":"
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Trending on Billboard <\/h3>\n<\/p><\/div>\n

When Billboard<\/em> last caught up<\/a> with Ryan Trey, the St. Louis-born singer-songwriter was celebrating the deluxe edition of his Streets Say You Still Miss Me<\/em> album, a release that found him elevating both professionally and artistically. In support of that album, he opened for Mariah the Scientist\u2019s then-ongoing To Be Eaten Alive Tour. But as the last dates approached, Trey found himself desiring to \u201cmove on from\u201d the toxicity that inspired some of his most beloved songs.<\/p>\n

A little over a year later, Trey has officially honored those desires. Known for moody, ethereal hip-hop-infused R&B joints like \u201cMutual Butterflies\u201d (which earned him LeBron James\u2019 co-sign in 2018) and the Bryson Tiller-assisted \u201cNowhere to Run,\u201d Ryan Trey will now operate independently as a faith-based Christian<\/a> music<\/a> artist. Crediting his homeboys\u2019 encouragement and Tiller\u2019s 2010s blueprint of sonic experimentation, Trey decided to pivot into faith-based music around May 2025, after years of discomfort with how the music industry impacted his personal growth and maturation. <\/p>\n

\u201cI couldn\u2019t figure out why when I was 18, I was able to freely make music after school, but now I gotta high to get a record done,\u201d he tells Billboard<\/em>. \u201cAnd then all the industry parties and stuff\u2026 It\u2019s great to connect with people, but you can also fall into traps. Because I was in the industry so young and I didn\u2019t go to college\u2026 it molded me into someone that I wasn\u2019t originally. Those instances start to make me uncomfortable, and I started to step away from those things to get a clearer vision.\u201d <\/p>\n

Linking up with friend and producer Ayo, Trey began recording his first faith-based songs in Orlando, Fla., resulting in \u201cFaith Too High\u201d and the Deca OTA-assisted \u201cCallin on You.\u201d Both songs \u2014 from the swaggering rap-sung cadence of the former to the U.K. drill production of the latter \u2014 keep Trey in his established musical wheelhouse. What\u2019s changed are his lyrics, now packed with direct references to the Most High and dripping with earnest testimonies inspired by his own faith journey. \u201cLord, I can\u2019t seem to get You out of my head\/ Lord, it\u2019s something about You that makes me smile,\u201d he coos in the second verse of \u201cFaith.\u201d \u201cAnd I know that I gotta worship all that I can\/ \u2018Cause I know without You I\u2019d be out my mind.\u201d<\/p>\n

From the Billboard Hot 100<\/a> success of Brandon Lake\u2019s \u201cHard Fought Hallelujah\u201d<\/a> and Forrest Fank\u2019s \u201cYour Way\u2019s Better\u201d<\/a> to mainstream secular music converging with Christianity thanks to pop stars like Jelly Roll<\/a> and Justin Bieber<\/a>, faith-based music is on the upswing in America \u2014 and Ryan Trey is looking to join that wave and provide a perspective younger listeners who were brought up in the traditions of R&B and hip-hop. And with a new album due in the springtime \u2014 as well as visions of a live show that notably benches his earlier material \u2014 he\u2019s more than ready to inspire a new flock.<\/p>\n

Below, Billboard<\/em> speaks with Ryan Trey about his musical transition, navigating fan reactions and expectations, wrestling with AI advancements and randomly running into The Biebs in Los Angeles.<\/p>\n

<\/figure>\n

You\u2019ve said you were initially skeptical about making Christian music because of negative stereotypes. Where do you think those come from?<\/strong> <\/p>\n

Our moms was playing [gospel] in the car on the way to school, so I really don\u2019t know when that shift happened. I think it\u2019s the \u201crap\u201d part of \u201cgospel rap\u201d that people think is corny. I think they\u2019re just bandwagoning and trying to sound cool. It\u2019s like picking on the nerd at school who don\u2019t go to all the parties. Once I started to learn about Hulvey, Lecrae, Sam Rivera, Madison Ryann Ward and Cleo Sol, I loved it. They\u2019re dope, and the music is cleaner on my spirit and ears. I want a catalog I can play for my kids. I don\u2019t want my daughter or son to be like, \u201cDad, why was you always going through something with your ex?\u201d<\/p>\n

How did your team react?<\/strong><\/p>\n

Everybody\u2019s been supportive. I\u2019m almost forcing them to make this shift with me on a business level, so for everyone to take a chance on me is amazing. Nobody walked away, and now we\u2019re all seeing growth in this space. I don\u2019t think there\u2019s anybody from my team that was like, \u201cOh, no, I ain\u2019t with all that.\u201d Nobody\u2019s made that known to me.<\/p>\n

Did you grow up in a particularly churchy household?<\/strong><\/p>\n

My grandmother [was pretty churchy]; my parents, not so much. I grew up in St. Louis, so there was a family church that we had, but I only went for funerals. The pastors were always good, and their sermons always stuck with me, but I never did any deep diving. I always felt better after listening to those men speak, but I never did any research behind it.<\/p>\n

How do your recording sessions for faith-based music compare to your previous ones?<\/strong><\/p>\n

When I first started making music, it was always scary getting into the studio. And this time it was also scary because I was thinking about outside opinions. That\u2019s why I appreciate my boy Ayo so much; he had so many people come through the studio, some who knew me and some who didn\u2019t, and they were giving me so much praise on the new music. I have people that was like, \u201cI didn\u2019t even know this was Christian music, it just sounded cool through the walls while you were recording.\u201d Once I put out \u201cFaith Too High,\u201d and it was received very well, then it was like, \u201cOkay, it\u2019s go time.\u201d I just had to have faith that entire time. <\/p>\n

I used to record with the lights off. The room, I realize now, was just a reflection of how I was feeling on the inside. The room had to be dark. I had to have moody red lights and keep it super low-key and quiet. Now, I can record in the middle of the day. And my sound is the same; it\u2019s just the message that has changed. I\u2019m just encouraging people to give God a chance. The only reason I was able to come out of these situations that inspired my other project is because of Him.<\/p>\n

Were you nervous about putting out \u201cFaith Too High?\u201d How did your most OG fans respond to a song like that?<\/strong><\/p>\n

That\u2019s who I was thinking about most. My OG fans been supporting me so hard; I\u2019d be lying if I said I wasn\u2019t thinking about them. Are y\u2019all going to just disappear now? Is this something y\u2019all want to hear? Am I pulling the rug from under y\u2019all?<\/p>\n

But 99% of the responses I got was like, \u201cRyan, we was going through stuff when you was going through stuff, so the same way you want a clean slate now, we [do too].\u201d I was parallel with a lot of my fans, and that was dope and really reassuring because I was on the same page as thousands of people I\u2019ve never met. I did have people that was like, \u201cI\u2019m not ready for this,\u201d and that was cool. But for the most part, it was supportive.<\/p>\n

<\/figure>\n

You mentioned artists like Cleo Soul and Madison Ryann Ward. What other songs or artists did you look to for this transition?<\/strong><\/p>\n

I\u2019ve been going back to those big universal gospel hits, like \u201cShackles\u201d by Mary Mary. They were really good at making songs everyone could listen to while still praising the Lord. But I\u2019ve really been in the rap and R&B spaces right now. Sondae is a newer, more R&B-leaning artist I\u2019ve been listening to. <\/p>\n

What can you tell us about this upcoming project?<\/strong><\/p>\n

I can\u2019t give the date specifically, but we\u2019ve landed on a two-week span of when we want to drop. We\u2019re aiming for springtime; I\u2019m just finetuning the tracklist. This album will sound like a better version of all of my other projects. It\u2019s a healthier version. I\u2019m 26 now; I\u2019m thinking about kids and getting married. If you just overheard this album playing next door, you would not know it was a Christian album. But when you hear the message, it clicks.<\/p>\n

Some fans can get skeptical when their favorite artists incorporate more Christian-adjacent messaging in their music. Sometimes that shift is accompanied by a kind of right-wing spiral. What do you say to fans who may have reservations about your musical transition?<\/strong><\/p>\n

I get it, I\u2019m not gonna lie. And the Bible talks about this, too; there are hypocrites out there. People like that judge and condemn people, and that\u2019s not the way to go. I\u2019m not a holier-than-thou person.I wouldn\u2019t even try to believe in God three years ago. That\u2019s why I livestream Bible studies and try to tap in; I want people to see me more. I think the wholemystique wave for artists is over; people are watching Kai Cenat sleep on a couch for 24 hours.<\/p>\n

I think showing my personality is important for people to see what I\u2019m actually doing outside of music. Is it a stunt? Are you putting your feet in the water and then coming right back out? Or is this your actual walk that you\u2019re on? I try to do my best to talk about my testimony and not get into politics. I\u2019m on this walk, I\u2019m trying to correct things that I wasn\u2019t doing well, and that\u2019s it.<\/p>\n

Gospel is one of the first genres AI-assisted music started to infiltrate. What are your thoughts on AI in the context of a genre specifically tied to your personal relationship with a higher power?<\/strong> <\/p>\n

I\u2019m torn. As an artist, I always respect and love authenticity. But Jesus says, \u201cHey, even if we don\u2019t agree with how they\u2019re putting the good news out, as long as they\u2019re doing it, they\u2019re with me.\u201d I know there\u2019s one AI artist that [sparked some controversy<\/a>], but if that song was what someone needed to change their life around or start their own walk, let them rock.<\/p>\n

As an artist, I\u2019m like, \u201cI really wish you would have just made the song yourself.\u201d But who am I to rob someone of that opportunity? The music, at least in this space, is supposed to pull people closer to God. If it happened to be through an AI program, then so be it.<\/p>\n

Do you think a program has the capacity to make music that deep, soulful and sacred?<\/strong><\/p>\n

That\u2019s where I\u2019m torn. Because I know there\u2019s no spirit in this song. There\u2019s no human actually pushing the song. I can\u2019t hear a specific person\u2019s emotions in the song. Something is missing. I think I\u2019m going to like AI less the more it develops. The creative process is the most important thing to me, but I also don\u2019t want to be like one of those old guys hating on everything. It\u2019s weird right now.<\/p>\n

I saw you also ran into Justin Bieber recently.<\/strong><\/p>\n

Oh yeah, I ran into Bieber at Dot in L.A! He had posted something on his story like, \u201cIf you run into me outside anywhere and you\u2019re working in this space, hit me.\u201d I just so happened to be there, and he had his people surrounding him, so I tapped him and pulled him to the side. We had never met before, but I was like, \u201cYo, bro, we got mutuals, and I know you said you really want to make more music about God; it\u2019s a lot of dope artists in this space.\u201d He said, \u201cLet\u2019s connect,\u201d so we\u2019ll see what happens. He was really cool when I was talking to him. <\/p>\n

Are there any other collabs that you\u2019re cooking right now? What\u2019s the new dream list of collaborators now that you\u2019re in a new sonic space?<\/strong><\/p>\n

Cleo Sol is really, really high on that list. I love her voice, and she reminds me of someone my mama would have played for me when I was younger. Hopefully, that one could happen this year. Miles Minnick has had a good run in this space, and Lecrae\u2019s a good artist too.<\/p>\n

When are you thinking of hitting the road again? Will you ever sing your older songs live?<\/strong><\/p>\n

I don\u2019t think I\u2019ll sing the old catalog anymore. I was scared when I was saying that in my last couple shows where I did those songs, but when I explained the musical transition, I got so many great ovations. People were happy, and I wasn\u2019t expecting that. I think when people hear this album, it\u2019ll be enough. But I\u2019m definitely going to put a bow on that old music, man. I gotta keep moving forward.<\/p>\n

\"Billboard
\n<\/a> <\/p>\n","protected":false},"excerpt":{"rendered":"

Trending on Billboard When Billboard last caught up with Ryan Trey, the St. Louis-born singer-songwriter was celebrating the deluxe edition of his Streets Say You Still Miss Me album, a release that found him elevating both professionally and artistically. 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