{"id":9508,"date":"2026-02-05T16:23:52","date_gmt":"2026-02-05T16:23:52","guid":{"rendered":"https:\/\/www.billboard.com\/?p=1236173322"},"modified":"2026-02-05T16:23:52","modified_gmt":"2026-02-05T16:23:52","slug":"what-to-know-about-the-2026-best-original-song-score-oscar-nominees","status":"publish","type":"post","link":"https:\/\/sarmiento24h.com\/?p=9508","title":{"rendered":"What To Know About the 2026 Best Original Song & Score Oscar\u00a0Nominees"},"content":{"rendered":"
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Trending on Billboard <\/h3>\n<\/p><\/div>\n

Sinners<\/em> made history when the nominations for the 98th annual Academy Awards<\/a> were announced Jan. 22. The Ryan Coogler-directed blockbuster received a record 16 nods, beating the old record of 14 shared by All About Eve<\/em>, Titanic<\/em> and La La Land<\/em>. Sinners<\/em> is the only film from 2025 to land nominations in both music categories \u2014 best original song (for \u201cI Lied to You\u201d by Raphael Saadiq and Ludwig G\u00f6ransson) and best original score (for G\u00f6ransson). <\/p>\n

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One Battle After Another<\/em>, which amassed the second most nominations with 13, and Frankenstein<\/em>, which tied Marty Supreme<\/em> and Sentimental Value<\/em> for third place with nine, are also represented in the best original score category by Jonny Greenwood and Alexandre Desplat, respectively. <\/p>\n

But the members of the music branch of the Academy of Motion Picture Arts and Sciences didn\u2019t just focus on heavily nominated films: Compositions from the music documentaries Diane Warren: Relentless<\/em> and Viva Verdi!<\/em> received nominations for best original song, which are those films\u2019 only nods. <\/p>\n

The Oscars<\/a> will air live on ABC on March 15 at 7 p.m. ET\/4 p.m. PT. Conan O\u2019Brien will host for the second year in a row.<\/p>\n

Best Original Song<\/strong>\t<\/h2>\n

The members of the music branch could hardly have selected a more diverse field of nominees in this category. The chosen songs include (in alphabetical order below) an emotional power ballad, an effervescent K-pop smash, an authentic Southern blues number, an operatic aria and a haunting acoustic folk song.<\/p>\n

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\"Emma <\/div>\n<\/p><\/div>
Emma Stone as Michelle Fuller in Bugonia, Michael B. Jordan and Miles Caton in Sinners, and Teyana Taylor as Perfidia Beverly Hills in One Battle After Another. <\/span> Illustration by Mara Ocejo; Stone: Atsushi Nishijima\/Focus Features\/Everett Collection, Jordan, Taylor: Warner Bros\/Everett Collection<\/cite> <\/figcaption><\/figure>\n<\/p><\/div>\n

\u201cDear Me\u201d
Diane Warren: Relentless <\/em>(Masterclass\/ Greenwich Entertainment)
Music and lyric by Diane Warren<\/strong><\/p>\n

This is the ninth consecutive year that Warren has been nominated in this category \u2014 an unprecedented feat. The previous record of eight consecutive nominations was set by Sammy Cahn, who made it every year from 1954 to 1961 \u2014 a streak that started before Warren was born.<\/p>\n

Warren has received 17 nominations in this category, which puts her third on the all-time leaderboard behind just Cahn (26) and Johnny Mercer (18). Making that achievement even more impressive: Warren has rarely been part of an Oscar-magnet film that swept the nominations. \u201cDear Me\u201d is her 12th nominated song that originated in a film that received no other nods.<\/p>\n

The end-title song sung by Kesha in Diane Warren: Relentless<\/em> draws on what Warren would tell her younger self. \u201cI was a lonely, misunderstood, bullied kid that spent a lot of time in my room by myself when I wasn\u2019t being kicked out of school or things like that,\u201d she told Billboard<\/em> hours after learning of her latest nomination. \u201cWhat I wanted to do was tell that young girl sitting in a room and picking up a guitar and maybe writing her first song that, \u2018You don\u2019t know it now, but you\u2019re going to be all right.\u2019 \u201d <\/p>\n

\u201cGOLDEN\u201d
Kpop Demon Hunters <\/em>(Netflix)
Music and lyric by EJAE, Mark Sonnenblick, Joong Gyu Kwak, Yu Han Lee, Hee Dong Nam, Jeong Hoon Seon and Teddy Park<\/strong><\/p>\n

\u201cGolden,\u201d which won best original song at both the Critics Choice Awards and the Golden Globes, appears to be the front-runner in this category. The smash by HUNTR\/X, the fictional trio whose singing voices are provided by EJAE (Rumi), Audrey Nuna (Mira) and REI AMI (Zoey), topped the Billboard Hot 100 for eight nonconsecutive weeks. It\u2019s the first song since Justin Timberlake\u2019s \u201cCan\u2019t Stop the Feeling!\u201d from Trolls<\/em> in 2017 to reach No. 1 and subsequently land an Oscar nod. (\u201cShallow\u201d from A Star Is Born<\/em> hit No. 1 only after its Oscar win.)<\/p>\n

The academy has a rule that it will present no more than four Oscar statuettes in this category. If there are more than four credited writers, the writers must sign an agreement that they will share one statuette if they win. The seven writers of \u201cGolden\u201d signed such an agreement.<\/p>\n

\u201cGolden\u201d tied the all-time Oscar record as the song with the most nominated songwriters. The Counting Crows hit \u201cAccidentally in Love\u201d from Shrek 2<\/em>, which was nominated in 2005, was also the work of seven songwriters.<\/p>\n

The \u201cGolden\u201d co-writers (except for American-born Sonnenblick) are the first South Korean-born songwriters to be nominated since Yeah Yeah Yeahs\u2019 Karen O, who was cited in 2014 for co-writing \u201cThe Moon Song\u201d from Her<\/em>.<\/p>\n

\u201cI LIED TO YOU\u201d
Sinners <\/em>(Warner Bros.)
Music and lyric by Raphael Saadiq and Ludwig G\u00f6ransson<\/strong><\/p>\n

This is the second nomination in this category for both songwriters. Saadiq was nominated in 2018 for co-\u00adwriting \u201cMighty River\u201d from Mudbound<\/em>; G\u00f6ransson in 2023 for co-writing \u201cLift Me Up\u201d from Black Panther: Wakanda Forever<\/em>. <\/p>\n

Sinners<\/em> is the third consecutive Coogler film that has spawned a best original song nominee following Black Panther<\/em> (\u201cAll the Stars\u201d in 2019) and Black Panther: Wakanda Forever<\/em> (\u201cLift Me Up\u201d in 2023).<\/p>\n

Miles Caton, who plays Samuel \u201cSammie\u201d Moore (aka \u201cPreacherboy\u201d) in the film, sings \u201cI Lied to You\u201d on the soundtrack. Caton co-wrote another Sinners<\/em> song, \u201cLast Time (I Seen the Sun),\u201d which was shortlisted in this category.<\/p>\n

\u201cI Lied to You\u201d is also nominated for best song written for visual media at the 2026 Grammy Awards, along with two other Sinners<\/em> songs \u2014 \u201cPale, Pale Moon\u201d and the title track. Sinners<\/em> is just the third film to produce three or more nominees in this Grammy category following Waiting To Exhale<\/em> (three nods in 1997) and Barbie<\/em> (four nods in 2024).<\/p>\n

\u201cSWEET DREAMS OF JOY\u201d
Viva Verdi! <\/em>(Viva Verdi!)
Music and lyric by Nicholas Pike<\/strong><\/p>\n

This is the first nomination for Pike, an English film\/TV composer who has been active since 1987.<\/p>\n

Viva Verdi!<\/em> shines a light on the elderly opera singers and musicians who live in Milan\u2019s Casa Verdi retirement home. Pike, who also scored the film, wrote \u201cSweet Dreams of Joy\u201d based on a 12-minute snippet of the documentary sent to him by producer Christine La Monte. \u201cIt was so inspiring. It was so full of humanity and music and energy that I literally walked over to the piano and wrote the piece without any thought of [whether it] would it end up in the film,\u201d he told Billboard<\/em>. \u201cIt was just so moving I had to write the piece. The lyrics took me a little longer to finesse, but, really, it was just pure inspiration.\u201d<\/p>\n

Pike found the process of writing \u201cSweet Dreams of Joy\u201d so rewarding that he has written more arias for upcoming films. He is also entertaining the idea of writing an opera that he hopes could appeal to a younger audience. <\/p>\n

Puerto Rican soprano Ana Mar\u00eda Mart\u00ednez sang the aria after the original singer came down with bronchitis.<\/p>\n

\u201cTRAIN DREAMS\u201d
Train Dreams <\/em>(Netflix)
Music by Nick Cave and Bryce Dessner; lyric by Nick Cave<\/strong><\/p>\n

This is the first Oscar nod for both Cave, the leader of Nick Cave & The Bad Seeds, which has released 18 studio albums since 1984, and Dessner, guitarist in The National, which has released 10 studio albums since 2001. Bryce Dessner is the twin brother of Aaron Dessner, a founding member of The National, whose outside activities include work with Taylor Swift.<\/p>\n

Train Dreams<\/em> is such a minimalist film that director Clint Bentley and Dessner, who scored the film, questioned if it even needed a song. Cave was Bentley\u2019s first choice to write the lyrics and perform the song \u2014 a choice that Dessner seconded. \u201cHe\u2019s obviously a huge hero of mine, of my band, and someone we\u2019ve listened to forever,\u201d Dessner told Billboard<\/em>. \u201cIt was not something I had imagined doing because how would we get to him?\u201d But it turns out that Cave was a fan of the 2011 novella of the same name that the film is based on, about a railroad laborer who suffers a great loss.<\/p>\n

Cave is the third songwriter from Australia to be nominated in this category following John Farrar, for writing \u201cHopelessly Devoted to You\u201d from Grease<\/em>, and Peter Allen, for co-writing \u201cArthur\u2019s Theme (Best That You Can Do)\u201d from Arthur<\/em>, which won.<\/p>\n

Best Original Score<\/strong>\t<\/h2>\n

Alexandre Desplat and Ludwig G\u00f6ransson are both two-time winners in this category. If either wins, they would become the first three-time winner in this category in this century. Jonny Greenwood and Jerskin Fendrix are both previous nominees in this category. This is the first nod for Max Richter. Who\u2019s missing? For the first time in 11 years, no American composers are nominated; and for the first time in three years, no women composers are nominated. <\/p>\n

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\"Ejae, <\/div>\n<\/p><\/div>
Ejae, Raphael Saadiq, Diane Warren.<\/span> Illustration by Mara Ocejo; Ejae: Earl Gibson III, Saadiq: Jesse Grant, Warren: Gilbert Flores<\/cite> <\/figcaption><\/figure>\n<\/p><\/div>\n

BUGONIA<\/em>
Jerskin Fendrix<\/strong> (Focus Features<\/strong>)<\/p>\n

The English composer-musician is best known for writing the scores to three films directed by Yorgos Lanthimos and starring Emma Stone \u2014 Poor Things<\/em> (2023), Kinds of Kindness<\/em> (2024) and Bugonia<\/em> (2025). For both Poor Things<\/em> and Bugonia<\/em>, composer, director and star all received Oscar nods. (Stone won her second best actress award for Poor Things<\/em>.) Kinds of Kindness<\/em> didn\u2019t land with Oscar voters, receiving no nods.<\/p>\n

In addition to his soundtrack work, Fendrix has released two solo studio albums, Winterreise<\/em> (2020) and Once Upon a Time in Shropshire<\/em> (2025), and one live album, Live at Cafe OTO<\/em> (2021). Lanthimos commissioned Fendrix to write the score for Poor Things<\/em> after hearing Winterreise<\/em>. It was Fendrix\u2019s first film score.<\/p>\n

After composing the score for Bugonia<\/em>, Fendrix conducted and recorded the 90-piece London Contemporary Orchestra in a single room at AIR Studios in London. Milan Records released the soundtrack on Oct. 31, 2025.<\/p>\n

This was one of four nods the film received, along with best picture, best actress for Stone and best adapted screenplay for Will Tracy. Fun fact: Fendrix made cameo appearances in Poor Things<\/em> and Kinds of Kindness<\/em>.<\/p>\n

FRANKENSTEIN<\/em>
Alexandre Desplat (Netflix)<\/strong><\/p>\n

This is Desplat\u2019s 12th nomination for best original score, which puts him in a tie with Hans Zimmer for third place on the list of living composers with the most nominations in score categories. They trail only John Williams (who has amassed an astounding 49 nods in score categories) and Thomas Newman (14).<\/p>\n

This is the third time the French composer has scored a film directed by Guillermo del Toro. They previously teamed on The Shape of Water<\/em> (for which they both won Oscars) and Pinocchio<\/em>. Desplat considers Frankenstein<\/em> the \u201cthird movement of the triptych\u201d with del Toro. \u201cThey are all about the creatures and being able to receive love, to give love and create empathy, so there\u2019s some kind of line going through these three scores and these three movies,\u201d he told Billboard<\/em>. <\/p>\n

To represent humanity in Frankenstein<\/em>, Desplat chose \u201cthe smallest, tiniest, most beautiful and most difficult instrument, which is the violin,\u201d he says. \u201cWe wanted to avoid the obvious, avoid the horror film, avoid the scary and we knew that we needed to be touched, moved by the creature. Very early on, we spoke about using a string instrument because the creature is a huge thing and we need to have a counterpoint.\u201d<\/p>\n

HAMNET<\/em>
Max Richter (Focus Features)<\/strong><\/p>\n

First-time Oscar nominee Richter is a classically trained, German-born British composer-pianist. He has recorded nine solo albums and has received two Grammy nominations \u2014 best score soundtrack for visual media for Ad Astra<\/em> and best music video as a featured artist on Woodkid\u2019s \u201cThe Golden Age.\u201d<\/p>\n

This was one of eight nods Hamnet<\/em> received. The Chlo\u00e9 Zhao-directed film looks at William Shakespeare and wife Agnes\u2019 courtship, marriage and subsequent death of a child that led Shakespeare to write Hamlet<\/em>.<\/p>\n

Richter told Billboard<\/em> he was deliberately \u201cvery sparing\u201d in his musical choices to let the \u201cpowerful, very emotional material speak on its own terms without trying to direct us as the audience in any particular way.\u201d He also brought in renowned Renaissance choir Tenebrae, \u201cbut I transformed those vocal recordings in the computer into a sort of haunted, ghostly version.\u201d<\/p>\n

For all the dark topics that Hamnet<\/em> addresses, Richter says working on the movie was a joyous experience. \u201cIt really is a special project to me because very often you may work on a film and the film will turn out great, but the project was a nightmare, right? That was not the case with Hamnet<\/em>. The vibes on that set were just amazing.\u201d <\/p>\n

ONE BATTLE AFTER ANOTHER <\/em>
Jonny Greenwood (Warner Bros.)<\/strong><\/p>\n

One Battle After Another<\/em> is the sixth consecutive Paul Thomas Anderson film that Greenwood has scored following There Will Be Blood<\/em>, The Master<\/em>, Inherent Vice<\/em>, Phantom Thread<\/em> (which earned Greenwood his first Oscar nod) and Licorice Pizza<\/em>.<\/p>\n

Greenwood received his second Oscar nod for scoring Jane Campion\u2019s The Power of the Dog<\/em>. This is his third. Greenwood, the lead guitarist in Radiohead, has now received as many Oscar nominations for best original score as Trent Reznor and Atticus Ross, the mainstays of fellow rock titans Nine Inch Nails, who have been nominated for The Social Network<\/em>, Mank<\/em> and Soul<\/em> (winning for The Social Network<\/em> and Soul<\/em>).<\/p>\n

Greenwood was involved with One Battle After Another<\/em> since its inception. The English composer wrote music based on the script and played to the finished film during production. The score was recorded with the London Contemporary Orchestra, conducted by Hugh Brunt. It was released by Nonesuch Records on Sept. 26, 2025, the same day as the film\u2019s release on digital platforms. The album was released on CD and vinyl on Nov. 14.<\/p>\n

All tracks on the soundtrack album were solely written by Greenwood, except \u201cMean Alley,\u201d which he co-wrote with his Radiohead bandmate Thom Yorke.<\/p>\n

SINNERS<\/em>
Ludwig G\u00f6ransson<\/strong> (Warner Bros.)<\/strong><\/p>\n

G\u00f6ransson\u2019s music for Sinners<\/em> won best original score at both the Critics Choice Awards and the Golden Globes, making it the apparent front-runner in this category. This is G\u00f6ransson\u2019s third Oscar nod for best original score. He was previously nominated (and won) for Black Panther<\/em> and Oppenheimer<\/em>. G\u00f6ransson is also nominated for best original song. It\u2019s the first time he has been nominated in both categories in the same year. <\/p>\n

The Swedish composer has scored all five of director Ryan Coogler\u2019s films \u2014 Fruitvale Station<\/em>, Creed<\/em>, Black Panther<\/em>, Black Panther: Wakanda Forever<\/em> and Sinners<\/em>. Coogler and G\u00f6ransson, who met in college at the University of Southern California, worked together on developing the music for Sinners<\/em>. During preproduction, the director sent his composer several recordings from the 1930s and early 1940s, particularly the works of Robert Johnson and Tommy Johnson.<\/p>\n

Sony Music released two Sinners<\/em> albums (even though the film was distributed by Warner Bros.). Sinners (Original Motion Picture Score)<\/em> contains Goransson\u2019s score and features Metallica drummer Lars Ulrich and blues\/rock guitarist Eric Gales on individual tracks. Sinners (Original Motion Picture Soundtrack)<\/em> features songs from the film performed by such musicians as Rhiannon Giddens, Buddy Guy and Brittany Howard, along with castmates. The albums were released on Sony Classical Records and Sony Masterworks, respectively, on April 18, 2025, the same day the film was released.<\/p>\n

Additional reporting by Melinda Newman.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

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