{"id":9758,"date":"2026-02-06T16:34:19","date_gmt":"2026-02-06T16:34:19","guid":{"rendered":"https:\/\/www.billboard.com\/?p=1236174727"},"modified":"2026-02-06T16:34:19","modified_gmt":"2026-02-06T16:34:19","slug":"taylor-swift-is-aiming-for-another-no-1-with-opalite-but-shell-face-serious-competition-from-bad-bunny-olivia-dean-j-cole-more","status":"publish","type":"post","link":"https:\/\/sarmiento24h.com\/?p=9758","title":{"rendered":"Taylor Swift Is Aiming for Another No. 1 With \u2018Opalite\u2019 \u2014\u00a0But She\u2019ll Face Serious Competition From Bad Bunny, Olivia Dean, J. Cole &\u00a0More"},"content":{"rendered":"
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Trending on Billboard <\/h3>\n<\/p><\/div>\n

It was the news that Swifties had long waited for: \u201cOpalite,\u201d the fan-favorite second single from Taylor Swift<\/a>\u2019s blockbuster The Life of a Showgirl<\/em> album, was getting a music video.  <\/p>\n

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See latest videos, charts and news<\/p>\n<\/p><\/div>\n

The official visual for the breezy pop-rock hit was released to Apple Music and Spotify on Friday morning (Feb. 6), with the YouTube premiere to follow on Sunday. The video co-stars Domnhall Gleeson, who\u2019d joked during a recent co-appearance with Swift on The Graham Norton Show<\/em> about being in her new video. (Norton also makes a cameo, as do Greta Lee, Jodie Turner-Smith, Lewis Capaldi and Cillian Murphy, who were all also on the episode with Swift and Gleeson.)  <\/p>\n

In addition to the video premiere, the song is now out on on 7-inch vinyl for the first time \u2014 with the \u201cLife Is a Song Acoustic Version\u201d of \u201cOpalite\u201d on the single\u2019s B-side \u2014 and will be available for purchase for just 48 hours. The 7-inch is currently up for pre-order on her website, and is listed as being ready to ship \u201con or about February 9,\u201d or this coming Monday. (The acoustic version is also available for streaming on DSPs.)  <\/p>\n

The lining up of the video\u2019s premiere with the 7-inch\u2019s release in the same tracking week (Feb. 6-12) will undoubtedly lead Swifties and other chartwatchers to be paying close attention to the next week\u2019s Billboard Hot 100 (dated Feb. 21), where we will see if the corresponding bumps in streams and sales can lead the song to capture the No. 1 spot for the first time. \u201cOpalite\u201d previously bowed at its No. 2 Hot 100 best during Showgirl<\/em>\u2019s debut week on the chart, and has spent most of its chart run since hanging around the top 10 \u2014 ranking at No. 10 this week. <\/p>\n

Swift\u2019s decision to premiere the video first on Spotify and Apple Music follows YouTube\u2019s December announcement<\/a> that it was withdrawing its streaming data from all of Billboard<\/em>\u2018s charts. YouTube\u2019s withdrawal followed Billboard<\/em>\u2018s Dec. 16 announcement<\/a> of a change to chart methodology that will continue to weigh subscription streams more favorably than ad-supported streams, in a bid to better reflect changing consumer behaviors and the increased revenue derived from streaming in the industry. (The change means that paid\/subscription streams will be weighted against ad-supported streams at a 1:2.5 ratio, narrowed from the previous 1:3 ratio.)<\/p>\n

Swift and her fans would no doubt love to see \u201cOpalite\u201d top the chart, giving Showgirl<\/em> its second No. 1 hit on the Hot 100, following lead single \u201cThe Fate of Ophelia\u201d reigning for a career-best 10 total weeks between late 2025 and early 2026. Swift has racked up a stunning 13 No. 1 hits on the chart since she first led in 2012 \u2014 leading Drake, by one, for the most among all artists over that timespan \u2014 but, in the past decade (since reputation<\/em> in 2017), they\u2019ve all come from different albums. Her last LP to generate multiple No. 1 hits was her epochal 2014 blockbuster 1989<\/em>, which spun off three: \u201cShake It Off,\u201d \u201cBlank Space\u201d and \u201cBad Blood\u201d (with Kendrick Lamar).  <\/p>\n

But the competition on the Feb. 21 chart is already set to be stiff. Previous No. 1-bowing 2026 hits from Bruno Mars (\u201cI Just Might\u201d) and Harry Styles (\u201cAperture\u201d) have receded in weekly sales and streams from their debut weeks, but are beginning to make up for it with steady radio growth (and, for Mars, a big look on Grammy night last Sunday). Ella Langley\u2019s \u201cChoosin\u2019 Texas\u201d also remains mighty on streaming and country radio \u2014 with pop radio starting to come around, as well \u2014 and Olivia Dean\u2019s \u201cMan I Need\u201d remains a cross-platform smash, with Dean\u2019s entire catalog seeing major gains following her own huge Grammys night. (The Langley and Dean hits are expected to be the primary contenders<\/a> for No. 1 on next week\u2019s Hot 100, dated Feb. 14.)<\/p>\n

This Friday also brings with it the re-entry of a major chart force in rap superstar J. Cole. While Cole is not as familiar with the top of the Hot 100 as Swift, Mars or Styles \u2014 he\u2019s only made it once, as a featured artist on Drake\u2019s \u201cFirst Person Shooter,\u201d having topped out at No. 2 as a lead artist (\u201cmy.life\u201d with 21 Savage and Morray in 2021). But he has still been an impactful presence on the Hot 100 for many years \u2014 with 13 total top 10 hits since 2016 \u2014 and new set The Fall-Off<\/em> has the advantage of not only coming after years of anticipation, but being billed as Cole\u2019s final album. <\/p>\n

But perhaps the biggest challenger to Taylor Swift immediately scoring her second Showgirl<\/em> No. 1 is Bad Bunny<\/a>. The global superstar is experiencing the biggest gains of anyone from Grammy night, thanks to multiple memorable moments on stage and in the audience, and a trio of wins, including album of the year for his Billboard 200-topping 2025 set Deb\u00ed Tirar M\u00e1s Fotos<\/em>. Bad Bunny\u2019s whole catalog has risen as a result, with Fotos<\/em>\u2019 total streams tripling<\/a> on the Monday after the Grammys (Feb. 2).  <\/p>\n

The biggest beneficiary of all Bad Bunny songs has been \u201cDtMF,\u201d which has since claimed the top spot on both Spotify\u2019s and Apple Music\u2019s daily charts. The track has averaged more than 3 million official on-demand U.S. streams a day since the Grammys, compared to \u201cOpalite\u201d being in the daily low 1-million range. \u201cDtMF\u201d could return to the Hot 100 in the top 20 or even the top 10 on next week\u2019s chart (dated Feb. 14) \u2014 possibly higher than \u201cOpalite,\u201d despite the Grammy bump only impacting the final four full days of its tracking week. <\/p>\n

And it might not even be the biggest streaming bump that \u201cDtMF\u201d gets this month. Even with his big night at the Grammys, Bad Bunny didn\u2019t perform any of his songs \u2014 outside of humoring Trevor Noah with a couple bars of \u201cDtMF\u201d during the host\u2019s own rendition of the song \u2014 because he was waiting to take the biggest stage of them all: Super Bowl halftime, which he\u2019ll be headlining for the first time this Sunday (Feb. 8). <\/p>\n

Last year, Kendrick Lamar showed the power of what can happen when one of the hottest contemporary performers in music performs at Super Bowl halftime, particularly when they\u2019re coming off a huge Grammys night, as Lamar also was when he went 5-for-5 with \u201cNot Like Us\u201d in 2025. The week after the rap superstar\u2019s Super Bowl performance, he charted 13 songs on the Hot 100, including a stunning four of the top chart\u2019s five \u2014 with \u201cNot Like Us,\u201d the most buzzed-about song from his performance, returning to the top of the chart. (\u201cLuther\u201d with SZA, which ranked behind it at No. 2, would claim the top spot the next week and rule for 13 weeks.) <\/p>\n

Bad Bunny could certainly be in line for a similar chart-swarming week on the Hot 100 following his own Grammys-Super Bowl back-to-back. And if he performs \u201cDtMF\u201d during his Super Bowl set \u2014 which, as the Grammy-nominated quasi-title track to and biggest global hit from his most recent album, seems highly probable \u2014 it could pour significantly more gasoline on the song\u2019s already-raging fire, potentially setting it on a path to contend for the No. 1 the next week.  <\/p>\n

\u201cOpalite\u201d will certainly have a major radio advantage over any Bad Bunny competitor on the chart, as the song currently ranks in the top 10 on Radio Songs, while nothing from Fotos<\/em> is anywhere to be found in the 50-song chart. But it will likely ultimately come down to how much the \u201cOpalite\u201d video can help compensate for the likely streaming gap between the two songs, and then if Swift ships enough of those vinyl 7-inches to make for a significant sales margin, as well. <\/p>\n

Regardless, for anyone unsatisfied with the Super Bowl matchup this year, they\u2019ll also have a likely showdown between the Billboard<\/em> staff\u2019s picks for the<\/a> two<\/a> Greatest Pop Stars of 2025 to look forward to. <\/p>\n

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